In the ballet, Frankenstein, by Liam Scarlett, the audience is immediately drawn into the process of creating this Creature. The scene that I show in this lecture is the first real glimpse that the audience gets of the Creature as his own character and it truly is the birth of the Creature, as well as the start to a terrible chain of events. There are lots of similarities in the text and the ballet, but what makes this visual representation through dance so powerful is our ability to get a taste of thematic elements and interpretive units of the story handed to us right as the story unfolds, especially from the Creature’s point of view. In the opening scenes, we understand right away that Victor is repulsed by the Creature, saying that, “disgust filled [his] heart” (38). However, what we do not fully grasp until much later is the immediate needs of the Creature following his birth. As are the crucial moments after the birth of a child, the moments following the birth of the Creature are also crucial, however, are easily neglected in Victor’s narration of events in the text. We see the confusion, agony, needs, and longing in the Creature’s reaching out to his creator, which is the first thing he does upon becoming more lucid. In the text, the Creature’s perspective of being born is not as clear as it is in the ballet, as in the ballet, the innocence, naivety, and vulnerability is seen right from the start. In my opinion, the ballet leads the reader to be more sympathetic to the Creature in this beginning scene, leading to less of a focus on Victor’s mental state and panic, and instead, a deeper understanding of the Creature’s youthful characteristics.
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